With all the vast panorama of art prints for sale on our ecommerce website at Artists UK it is surprising that one of our best sellers this Christmas so far has been MC Escher jigsaw puzzles .  Why anyone would want their MC Escher picture in lots of tiny bits rather than in one piece is a bit of a puzzle in itself.  It makes you wonder doesn’t it.  If we tore up all the Limited Edition prints and posters into small pieces before we sent them out would they sell better?  

THE LAUNCH OF PATRICK WOODROFFE’S NEW BOOK “BENIGN ICONS” IS TO TAKE PLACE IN DENMARK ON 14th JUNE 2008.

Claus Brusen Mikkelsen is checking all the pages of “BENIGN ICONS” before it comes out. Claus Brusen Mikkelsen is now the publisher. It shall be launched including a quite large exhibition of Patrick Woodroffe’s work at his new gallery “FANTASMUS” Groennegade 3, 9300 Saeby, Denmark on Saturday the 14.06.08.

Great news for our continental customers or anyone in the UK who wants to go to Denmark and have the chance to see the work of a living legend. Patrick Woodroffe’s art is not just brilliant, it is astounding! Apart from the sheer vibrancy and original creativity of it the technique (especially the incredibly intricate small details) is really something else. The top off to the awe inspired by seeing Patrick Woodroffe’s original work is when you find out that he is almost entirely self-taught - utterly awesome indeed!

To see Patrick Woodroffe art prints and posters click here.

Someone was asking us today about Elric prints by a particular artist and although we are fairly sure they are not available we thought we’d check the artist’s own website just to be sure we haven’t missed something. Bash in the URL and up comes this blank screen with a “download plug-in” message. Didn’t have time for all that messing about so I left it and wondered at the logic of presenting a new visitor to your website with the choice to download software or go away!

Hmmmm?

Any prizes for suggesting the answer we came up with?

The only member of the Artists UK team who may have thought that a Flash Intro (especially without an obvious ‘Skip’ option) is a really good idea was Mitzi … and since she is the cat and we can only interpret her reaction from the purring she makes when she gets stroked, we decided that that was as close to unanimous as unanimous ever gets. Plus we decided that Mitzi would be extremely pleased at the mouse in unanimous

• It is best to use only 100% acid free museum standard materials with a pH factor of 7.5 to 8.3 for any mounts or hinges that come into contact with the artwork. In the USA the term matt is used instead of mount where mountboard is a backing board only.
• Wood pulp mountboard is not acid-free which means it can discolour the board or paper the artwork has been printed on. Mountboard should at least have an acid-free backing in contact with the print but the inner edge of the mount will discolour over time. It is best to use removable acid free hinges attached from the back of the print to the back of the mountboard but failing this use only a low tack masking tape.
• Prints on a lighter stock should be only attached at the top of the mount and allowed to hang free. This should stop any creasing around the edges due to changes in environmental conditions. The alternative is to have them dry-mounted or fixed to a self-adhesive board (see other articles to follow).
  
• It best to use a small craftsman for the framing rather than high street shops that tend to be more expensive and of a lower quality generally speaking. These can usually be found by trawling through the smaller adds in your phone book or craft magazines. Wherever you go you’ll find the attitude of a real craftsman is different. They will take the time to examine the print and select the appropriate colour of mountboard and frame to complement the colours in the image. If you are there then you should find them keen to discuss these options with you. The basic approach is to look at the main background colour of the image and work with that but this is not always the best solution. Brightly coloured images like fantasy and sci-fi art images can sometimes benefit from a more creative approach to the use of coloured mounts. Black and cream are always an option for the mount but have certain drawbacks. Black will tend to make an image look more stark so it can entirely ruin a subtle picture … like a print of a watercolour painting perhaps. Cream can tend to be bland, bringing out the yellow tones a little but that’s all. Generally, with bold images darker mounts work better than lighter ones.
• Artists UK can supply your prints bought at Artists UK mounted and framed using high grade generic plexiglass which has the advantages of being lighter, practically unbreakable and more resistant to UV radiation than glass. We do not generally recommend the use of non-reflective glass as this is not completely clear and tends to dull the image, especially when it is mounted and therefore not flat against the glass (which of course is one reason for mounting anyway – to keep the print away from contact with the glass where humidity might cause it to stick to the glass in the long-term).
• Over the years prints can still be damaged by poor environmental conditions even when well-framed so it is best to air-condition or dehumidify any room that has dampness or is prone to excessive water vapours (hanging quality prints in bathrooms is to be avoided at all costs!). Very low humidity is also to be avoided as is siting the print directly over a radiator or other heat source.
• Flourescent lighting and sunlight have harmful UV rays so it is best to keep even light-fast ink printed Limited Editions away from these and prints printed without these inks (practically all those published before the mid-nineties and some later ones) will fade.
• If the artist has signed in ink rather than pencil then this can be prone to fading so keep it out of direct sunlight.
• Never use any cleaning materials on the surface of the print.
• If there is any form of damage, staining or discolouring at any time then seek professional assistance rather than trying to correct it yourself.

Following these guidelines should help to ensure that your Limited Edition print stays in good condition, provides pleasure for many years and possibly becomes a very good investment for you.

Any questions, then email us from the Contact Us button on the link below or write a comment we can reply to.

www.artistsuk.net